Because a Darlington pair of bipolar transistors would also give a high input impedance, I gave it a try and obtained very useful results. From that time on I have used a Darlington pair of normal small signal silicon transistors (BC107, BC548, 2N222, 2N3904, etc) as a emitter-follower input stage. To avoid that the bias resistors degrade the high impedance, a 10nF bootstrap capacitor feeds the output signal from the emitter to where the bias resistors meet, to put this point - signal-wise - at the same level as the input. The input circuit and the first amplifier are shown below:

I did quite a bit of experimenting with this low-pass filter as well as with the low-pass filter in the input (47 kOhm/13 pF). The latter prevents the direct rectification of strong AM broadcast stations. At some point, I used three 680 kOhm/13 pF combinations at the input, as is seen below:

There is one important issue about the components in the input section: They should not show any signs of microphonics, i.e. they should not produce any electrical noise when they are mechanically stressed. Ceramic capacitors should be avoided, but types like those shown below are preferred:

A simple audio amplifier, built from individual transistors - which overflow my junk box - amplifies the signal to the levels necessary for the tape recorder and the earphone. Parallel to the input of the audio amplifier, there also is a separate trimmer potentiometer that sets the output for the tape recorder.

The entire receiver is built on a printed circuit board whose copper surface acts as a ground connection. Along with the 9 V battery, it fitsa small black plastic housing:

This is the complete instrumentation which accompanies me for listening sessions on the beach. The telescopic antenna extends to about 60 cm length. Note that the receiver's front is covered with some aluminum foil. This is electrically connected to the receiver's ground, so that by holding the box with my gloveless hand I provide an electric counterweight for the antenna. This prevents feedback and whistling of the apparatus.

Furthermore, during recording sessions, I do not allow myself to move or even to brush over my clothes (or handle plastic bags), as all these can produce small electric discharges and hence radio noise ...